There was a front-page article on The Telegraph the day before yesterday (link) on a panel of economists which questioned the current state government's "hands-off" land policy and populist schemes (including promotion of small and micro-industries). The panel included India's chief economic adviser and rather pointedly talked about the 'fetish' for small and the elevation of smallness that permeates Bengal. Let's leave aside for the moment the fact that economists are subject to biases and political motives themselves (which becomes pertinent in light of the state elections scheduled next year and the fact that the current national government (and part of the state opposition) has a much-touted industrial development plank), I wonder to myself about the price development really demands.
I have been home for a week now and I like the fact that the air is cooler and cleaner, the pace is unhurried (comparatively) and there's usually a lake within walking distance. I will probably go stir-crazy in the next three days and I dislike the fact that there's a fucking queue for everything and the fact is that I can't really imagine enjoying the general convenience of things that I do have in Bombay, in Calcutta. People leave the city, nay the state, for opportunities and that's a sad indictment of what has come to pass in what I really believe is one of the best bits of the country in terms of pure potential. People comfortable with a mediocre existence and fostering modest expectations, easily herded and kept content in a nation of sheep. It is easier to manage expectations when such expectations are tempered by ignorance, of not knowing what is possible and what is to be demanded as a right. When the basics are withheld and compromises are made daily, you don't really expect or feel that you deserve more or indeed that there can be more. What we are developing (yes, developing is so the wrong word) is a state where people are being made to accept that aspirations are wrong, hopes are unwarranted and that progress is a filthy four letter word. A medieval mindset that parleys narrow fears of religion into electoral gains in such a short-sighted manner needs to be questioned and changed and if necessary, uprooted.
Anyway, not really my point. And not a fight I really want any part of. Its just such a shame that any economic and social change depends on political will and patronage. I think democracy makes it so, power to the people and all that. But maybe we, as people, can only define ourselves by what our forefathers had accepted and decreed themselves. We accept roles, as parents and as children, as plebs and as middle-class. And so it goes on, a non-life of setting and meeting middling non-expectations, passed in the dull and comforting opiate daze of ignorance and smugness. And this post was originally meant to be about the things that make Bengal unique and interesting and that could probably highlight what it actually can promote and develop and at the same time retain its identity and yet not remain in its current position as one of the has-beens in the Indian context. I think most of those things will keep for another day and another post.
In my week at home, I encountered a few things that I think lie rather low in a non-Bengali's awareness scales. They are rather cultural, even folk-ish in nature and they piqued my interest now, even if I have known about them since forever basically. Things like baul-music which I recollect from my daytime travel in the local trains. Curious half-sanyasi, half-beggars, the baul musicians would board the trains with their ektaras (and often with khartals and manjiris) and sing songs of Lalon-fakir while they collected their alms. Numinous yet gratifyingly earthy, mystical and curiously non-denominational, I was reminded of it during a three-day festival of folk music that happened too close by to ignore. It was rustic and simple and honest and painfully charming for the half an hour I was there. Apparently, Tagore was greatly influenced by them and you can probably find signs of the baul-culture in his songs and in Shantiniketan as well.

Then there is kirtan that I caught a few surprisingly rousing performances of (on TV and yes I wasn't looking for it) and there was a chhau performance that I missed at Princep ghat. These things, the intangible cultural heritage of the state needs to be showcased and appreciated better. We got some things, pretty baubles, intricate masterpieces and these are things to be proud of, even if they aren't really enough to stake entire futures on.
I want to get into sanskrit literature - I need to find out some suggestions and some accessible translations.
_____________________________________
Peace and hope.
I have been home for a week now and I like the fact that the air is cooler and cleaner, the pace is unhurried (comparatively) and there's usually a lake within walking distance. I will probably go stir-crazy in the next three days and I dislike the fact that there's a fucking queue for everything and the fact is that I can't really imagine enjoying the general convenience of things that I do have in Bombay, in Calcutta. People leave the city, nay the state, for opportunities and that's a sad indictment of what has come to pass in what I really believe is one of the best bits of the country in terms of pure potential. People comfortable with a mediocre existence and fostering modest expectations, easily herded and kept content in a nation of sheep. It is easier to manage expectations when such expectations are tempered by ignorance, of not knowing what is possible and what is to be demanded as a right. When the basics are withheld and compromises are made daily, you don't really expect or feel that you deserve more or indeed that there can be more. What we are developing (yes, developing is so the wrong word) is a state where people are being made to accept that aspirations are wrong, hopes are unwarranted and that progress is a filthy four letter word. A medieval mindset that parleys narrow fears of religion into electoral gains in such a short-sighted manner needs to be questioned and changed and if necessary, uprooted.
Anyway, not really my point. And not a fight I really want any part of. Its just such a shame that any economic and social change depends on political will and patronage. I think democracy makes it so, power to the people and all that. But maybe we, as people, can only define ourselves by what our forefathers had accepted and decreed themselves. We accept roles, as parents and as children, as plebs and as middle-class. And so it goes on, a non-life of setting and meeting middling non-expectations, passed in the dull and comforting opiate daze of ignorance and smugness. And this post was originally meant to be about the things that make Bengal unique and interesting and that could probably highlight what it actually can promote and develop and at the same time retain its identity and yet not remain in its current position as one of the has-beens in the Indian context. I think most of those things will keep for another day and another post.
In my week at home, I encountered a few things that I think lie rather low in a non-Bengali's awareness scales. They are rather cultural, even folk-ish in nature and they piqued my interest now, even if I have known about them since forever basically. Things like baul-music which I recollect from my daytime travel in the local trains. Curious half-sanyasi, half-beggars, the baul musicians would board the trains with their ektaras (and often with khartals and manjiris) and sing songs of Lalon-fakir while they collected their alms. Numinous yet gratifyingly earthy, mystical and curiously non-denominational, I was reminded of it during a three-day festival of folk music that happened too close by to ignore. It was rustic and simple and honest and painfully charming for the half an hour I was there. Apparently, Tagore was greatly influenced by them and you can probably find signs of the baul-culture in his songs and in Shantiniketan as well.

Then there is kirtan that I caught a few surprisingly rousing performances of (on TV and yes I wasn't looking for it) and there was a chhau performance that I missed at Princep ghat. These things, the intangible cultural heritage of the state needs to be showcased and appreciated better. We got some things, pretty baubles, intricate masterpieces and these are things to be proud of, even if they aren't really enough to stake entire futures on.
I want to get into sanskrit literature - I need to find out some suggestions and some accessible translations.
_____________________________________
Peace and hope.